Products related to Copyright:
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Art and Copyright
First published in 2001, Art and Copyright has established itself as a leading text in the field.Revised and updated, this third edition includes additional coverage of the following topics:- The relationship between designs law and artistic works;- EU and Brexit developments;- AI-created works;- graffiti and other non-conventional works;- blockchain and rights management;- orphan works;- new exceptions to copyright; and- digital copyright, art databases and online platforms. This book remains an invaluable work for all those involved in art law and for intellectual property lawyers involved with the exploitation and/or sale of artistic works, as well as for intellectual property academics, researchers, law students, curators, publishers, artists, gallery owners, auction houses, and those developing and running online art platforms, databases and technology to transact in art.
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Contract and Copyright Drafting Skills
Contract and Copyright Drafting Skills is a brand new title which will help you develop and create greater flexibility in your drafting skills.Using clear explanations and practical examples your ability to write clauses, draft, negotiate, analyse and review contracts will be enhanced.It is designed to be used in conjunction with your own precedent bank or alongside The A-Z of Contract Clauses, Sixth Edition. This title gives guidance on the variety of techniques that can be used in drafting contracts including the significance of the purpose of the agreement and the focus of the outcome.In addition it covers definitions, an important aspect of contract drafting, and also general background factors that can be useful to consider when drafting a contract. Contract and Copyright Drafting Skills will help you to appreciate the elements that can be edited in a clause thereby widening, decreasing or improving liability, risk, costs, revenue and control of rights.It also explains the process of the expansion, reduction and adaptation of clauses to meet the needs of the circumstances of the parties giving you the confidence to make that assessment and to focus on the aim of achieving the best agreement in the circumstances. Whether new to contact drafting or an experienced contract drafter, whether a lawyer or non-lawyer Contract and Copyright Drafting Skills will provide you with all the tools and guidance you need to become an expert contract drafter.
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Copyright : Best Practices for Academic Libraries
Finally: a plain-language guide to best practices for the complex world of copyright management in academic libraries. Copyright issues continue to perplex librarians and educators.The difficulties and confusion in applying the U.S. Copyright Act became especially apparent when Covid hit and many universities turned to remote learning as their primary method of instruction.Librarians and educators struggled with applying the law for both remote learners and students who were on site.This book provides advice on how to analyze and apply the copyright law to specific areas encountered by librarians and instructors. Coverage includes:Controlled digital lending is a very hot issue and confusing to many as to how copyright could apply in those situationsremote learning do’s and don’ts’ is at the forefront of copyright concerns which was highlighted during the pandemicThe application of copyright to music in light of recent changes to the U.S.Copyright Act has caused much confusion. Analysis of the new law and strategies on how to include music in a curriculum as well as how libraries can provide access and preservation of musical works. Open access initiatives have become increasingly popular.However, open access does not mean that there is no copyright attached to the works. The use of data is exploding as are the copyright issues associated with it.We will examine the issues and provide options. Written by Donna L. Ferullo, the Director of the University Copyright Office at Purdue University who holds both law and library science degrees and Dwayne K.Buttler, the Evelyn J. Schneider Endowed Chair for Scholarly Communication at the University of Louisville, who also holds a law degree.Both Ferullo and Buttler have many years of experience advising their universities on copyright law.
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Performing Copyright : Law, Theatre and Authorship
Based on empirical research, this innovative book explores issues of performativity and authorship in the theatre world under copyright law and addresses several inter-connected questions: who is the author and first owner of a dramatic work?Who gets the credit and the licensing rights? What rights do the performers of the work have? Given the nature of theatre as a medium reliant on the re-use of prior existing works, tropes, themes and plots, what happens if an allegation of copyright infringement is made against a playwright?Furthermore, who possesses moral rights over the work?To evaluate these questions in the context of theatre, the first part of the book examines the history of the dramatic work both as text and as performative work.The second part explores the notions of authorship and joint authorship under copyright law as they apply to the actual process of creating plays, referring to legal and theatrical literature, as well as empirical research.The third part looks at the notion of copyright infringement in the context of theatre, noting that cases of alleged theatrical infringement reach the courts comparatively rarely in comparison with music cases, and assessing the reasons for this with respect to empirical research.The fourth part examines the way moral rights of attribution and integrity work in the context of theatre.The book concludes with a prescriptive comment on how law should respond to the challenges provided by the theatrical context, and how theatre should respond to law.Very original and innovative, this book proposes a ground-breaking empirical approach to study the implications of copyright law in society and makes a wonderful case for the need to consider the reciprocal influence between law and practice.
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Are songs copyright-free?
No, most songs are not copyright-free. Songs are typically protected by copyright law, which means that the creators of the songs have the exclusive right to reproduce, distribute, and perform their work. In order to use a copyrighted song, you would need to obtain permission from the copyright holder or license the song for use. There are some songs that are in the public domain and therefore free to use, but these are typically older songs whose copyrights have expired.
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Is this music copyright-free?
I'm sorry, but I cannot determine if the music is copyright-free without more specific information about the music in question. Copyright status depends on various factors such as the creator, the date of creation, and any licensing agreements. It's best to check the specific terms of use or licensing information provided with the music to determine its copyright status.
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Which anime image websites are copyright-free?
There are several anime image websites that offer copyright-free images, including Pixabay, Unsplash, and Pexels. These websites provide a wide range of high-quality anime images that can be used for personal or commercial purposes without worrying about copyright issues. It's important to check the specific usage rights for each image on these websites to ensure that you are using them in accordance with the terms and conditions.
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How can one publicly play copyright-free music?
One can publicly play copyright-free music by using music that is in the public domain or music that has been released under a Creative Commons license. These types of music can be freely used and shared without the need for permission from the copyright holder. Additionally, there are websites and platforms that offer a wide selection of copyright-free music that can be used for various purposes, including public performances. It is important to always check the terms of use and licensing agreements when using copyright-free music to ensure compliance with any restrictions.
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Copyright and International Negotiations : An Engine of Free Expression in China?
Copyright and International Negotiations provides a historical study of the development of Chinese copyright law in terms of China's contemporary political economy and the impact that international copyright law has had.The analysis shows how China's copyright system is intertwined with censorship and international copyright law and how this has affected freedom of expression.China still enforces an old censorship regime that clamps down on free expression despite a modern system of copyright rules which should function as an engine of free expression.The book explores the development and architecture of Chinese copyright law in parallel with international copyright law, clarifies China's nuanced patterns of the control of free expression through copyright law, and identifies a breakthrough for neutralising the impact of China's censorship policies through copyright law.
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Copyright : What Everyone Needs to Know®
Copyright law was once an esoteric backwater, the special province of professional authors, publishers, and media companies.This is no longer the case. In the age of social media and cloud storage, we have become a copying and sharing culture.Much of our everyday communication, work, and entertainment now directly involves copyright law.Copyright law and policy are ferociously contested. Record labels, movie studios, book publishers, newspapers, and many authors rage that those who share music, video, text, and images over the Internet are âstealingâ their property.By contrast, copyright industry critics celebrate digital technologyâs potential to make the universe of movies, music, books, and art accessible anytime and anywhere â and to empower individuals the world over to express themselves by sharing and remixing those works.These critics argue that excessive copyright enforcement threatens that promise and stifles creativity. In Copyright: What Everyone Needs to Know®, Neil Weinstock Netanel explains the concepts needed to understand the heated debates about copyright law and policy.He identifies the combatants, unpacks their arguments, and illuminates what is at stake in the debates over copyrightâs present and future.
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Digitising Cultural Heritage : Clashes with Copyright Law
This book investigates the role played by copyright on the digitisation of cultural heritage from 3 angles: the theoretical differences between cultural property law and copyright; a comparative analysis of the EU, the UK, and the US; and the analysis of current practices and concerns, based on empirical research. As heritage digitisation projects are becoming increasingly common for purposes such as preservation and access, the impact of copyright is also becoming more problematic.In order to provide a full and current picture of the copyright problem, the book first introduces the reader to the debates on cultural heritage and copyright implications of new technologies, including: 2D and 3D scanning; virtual and augmented reality; text and data mining; and artificial intelligence. The author then divides the main critical analysis into 3 parts, referred to as the clashes with copyright.The 1st, theoretical clash, lies between cultural property law and copyright justification theories on the issues of public interest and ownership of heritage.The 2nd clash is in the different legal approaches to digitising in-copyright, public domain, orphan, out-of-commerce and unpublished works in the chosen jurisdictions.The 3rd clash is in the interests of the stakeholders, based on public reactions to existing projects and cases, supported by interviews with heritage professionals engaging in digitisation. By placing itself in this particular intersection of law, heritage, and technology, the book will be of interest to both intellectual property academics and cultural heritage professionals.
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Authors, Users, and Pirates : Copyright Law and Subjectivity
An examination of subjectivity in copyright law, analyzing authors, users, and pirates through a relational framework. In current debates over copyright law, the author, the user, and the pirate are almost always invoked.Some in the creative industries call for more legal protection for authors; activists and academics promote user rights and user-generated content; and online pirates openly challenge the strict enforcement of copyright law.In this book, James Meese offers a new way to think about these three central subjects of copyright law, proposing a relational framework that encompasses all three.Meese views authors, users, and pirates as interconnected subjects, analyzing them as a relational triad.He argues that addressing the relationships among the three subjects will shed light on how the key conceptual underpinnings of copyright law are justified in practice. Meese presents a series of historical and contemporary examples, from nineteenth-century cases of book abridgement to recent controversies over the reuse of Instagram photos.He not only considers the author, user, and pirate in terms of copyright law, but also explores the experiential element of subjectivity-how people understand and construct their own subjectivity in relation to these three subject positions.Meese maps the emergence of the author, user, and pirate over the first two centuries of copyright's existence; describes how regulation and technological limitations turned people from creators to consumers; considers relational authorship; explores practices in sampling, music licensing, and contemporary art; examines provisions in copyright law for user-generated content; and reimagines the pirate as an innovator.
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How can I find free music without copyright?
You can find free music without copyright by searching for music under a Creative Commons license. Websites like SoundCloud, Free Music Archive, and Jamendo offer a wide range of music that is free to use for non-commercial purposes, as long as you give credit to the artist. You can also use the YouTube Audio Library, which provides a collection of music and sound effects that are free to use in your videos. Just be sure to read the specific licensing terms for each track to ensure you are using it correctly.
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Where can one create AI-based copyright-free music?
One can create AI-based copyright-free music using various online platforms and tools such as Amper Music, Jukedeck, and AIVA. These platforms use artificial intelligence algorithms to generate original music compositions that users can customize and use for their projects without worrying about copyright issues. Users can simply input their preferences and requirements, and the AI will generate unique music tracks that can be used freely.
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Where can one create AI-generated copyright-free music?
One can create AI-generated copyright-free music on various online platforms that offer AI music generation tools, such as Amper Music, Jukedeck, and AIVA. These platforms use artificial intelligence algorithms to compose original music based on user inputs and preferences. Users can then download and use the generated music for their projects without worrying about copyright issues. Additionally, some of these platforms offer customization options to tailor the music to specific needs.
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What are copyright infringements?
Copyright infringements occur when someone uses, copies, distributes, or displays someone else's work without permission. This can include using copyrighted material such as text, images, music, or videos without obtaining the necessary rights or licenses. Copyright infringements are illegal and can result in legal action, fines, and damages for the infringing party. It is important to respect copyright laws and obtain proper permissions before using someone else's work.
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